Journal Reference:
- Illia Dobryden, Vladimir V. Korolkov, Vincent Lemaur, Matthew Waldrip, Hio-Ieng Un, Dimitrios Simatos, Leszek J. Spalek, Oana D. Jurchescu, Yoann Olivier, Per M. Claesson, Deepak Venkateshvaran. Dynamic self-stabilization in the electronic and nanomechanical properties of an organic polymer semiconductor. Nature Communications, 2022; 13 (1) DOI: 10.1038/s41467-022-30801-x
The field of organic electronics has benefited from the discovery of new semiconducting polymers with molecular backbones that are resilient to twists and bends, meaning they can transport charge even if they are flexed into different shapes.
It had been assumed that these materials resemble a plate of spaghetti at the molecular scale, without any long-range order. However, an international team of researchers found that for at least one such material, there are tiny pockets of order within. These ordered pockets, just a few ten-billionths of a metre across, are stiffer than the rest of the material, giving it a ‘fruitcake’ structure with harder and softer regions.
The work was led by the University of Cambridge and Park Systems UK Limited, with KTH Stockholm in Sweden, the Universities of Namur and Mons in Belgium, and Wake Forest University in the USA. Their results, reported in the journal Nature Communications, could be used in the development of next-generation microelectronic and bioelectronic devices.
Studying and understanding the mechanical properties of these materials at the nanoscale — a field known as nanomechanics — could help scientists fine-tune those properties and make the materials suitable for a wider range of applications.
“We know that the fabric of nature on the nanoscale isn’t uniform, but finding uniformity and order where we didn’t expect to see it was a surprise,” said Dr Deepak Venkateshvaran from Cambridge’s Cavendish Laboratory, who led the research.
The researchers used an imaging technique called higher eigen mode imaging to take nanoscale pictures of the regions of order within a semiconducting polymer called indacenodithiophene-co-benzothiadiazole (C16-IDTBT). These pictures showed clearly how individual polymer chains line up next to each other in some regions of the polymer film. These regions of order are between 10 and 20 nanometres across.
“The sensitivity of these detection methods allowed us to map out the self-organisation of polymers down to the individual molecular strands,” said co-author Dr Leszek Spalek, also from the Cavendish Laboratory. “Higher eigen mode imaging is a valuable method for characterising nanomechanical properties of materials, given the relatively easy sample preparation that is required.”
Further measurements of the stiffness of the material on the nanoscale showed that the areas where the polymers self-organised into ordered regions were harder, while the disordered regions of the material were softer. The experiments were performed in ambient conditions as opposed to an ultra-high vacuum, which had been a requirement in earlier studies.
“Organic polymers are normally studied for their applications in large area, centimetre scale, flexible electronics,” said Venkateshvaran. “Nanomechanics can augment these studies by developing an understanding of their mechanical properties at ultra-small scales with unprecedented resolutions.
“Together, the fundamental knowledge gained from both types of studies could inspire a new generation of soft microelectronic and bioelectronic devices. These futuristic devices will combine the benefits of centimetre scale flexibility, micrometre scale homogeneity, and nanometre scale electrically controlled mechanical motion of polymer chains with superior biocompatibility.”
The research was funded in part by the Royal Society.
We wish to thank the writer of this short article for this remarkable web content
‘Fruitcake’ structure observed in organic polymers
Journal Reference:
- Illia Dobryden, Vladimir V. Korolkov, Vincent Lemaur, Matthew Waldrip, Hio-Ieng Un, Dimitrios Simatos, Leszek J. Spalek, Oana D. Jurchescu, Yoann Olivier, Per M. Claesson, Deepak Venkateshvaran. Dynamic self-stabilization in the electronic and nanomechanical properties of an organic polymer semiconductor. Nature Communications, 2022; 13 (1) DOI: 10.1038/s41467-022-30801-x
The field of organic electronics has benefited from the discovery of new semiconducting polymers with molecular backbones that are resilient to twists and bends, meaning they can transport charge even if they are flexed into different shapes.
It had been assumed that these materials resemble a plate of spaghetti at the molecular scale, without any long-range order. However, an international team of researchers found that for at least one such material, there are tiny pockets of order within. These ordered pockets, just a few ten-billionths of a metre across, are stiffer than the rest of the material, giving it a ‘fruitcake’ structure with harder and softer regions.
The work was led by the University of Cambridge and Park Systems UK Limited, with KTH Stockholm in Sweden, the Universities of Namur and Mons in Belgium, and Wake Forest University in the USA. Their results, reported in the journal Nature Communications, could be used in the development of next-generation microelectronic and bioelectronic devices.
Studying and understanding the mechanical properties of these materials at the nanoscale — a field known as nanomechanics — could help scientists fine-tune those properties and make the materials suitable for a wider range of applications.
“We know that the fabric of nature on the nanoscale isn’t uniform, but finding uniformity and order where we didn’t expect to see it was a surprise,” said Dr Deepak Venkateshvaran from Cambridge’s Cavendish Laboratory, who led the research.
The researchers used an imaging technique called higher eigen mode imaging to take nanoscale pictures of the regions of order within a semiconducting polymer called indacenodithiophene-co-benzothiadiazole (C16-IDTBT). These pictures showed clearly how individual polymer chains line up next to each other in some regions of the polymer film. These regions of order are between 10 and 20 nanometres across.
“The sensitivity of these detection methods allowed us to map out the self-organisation of polymers down to the individual molecular strands,” said co-author Dr Leszek Spalek, also from the Cavendish Laboratory. “Higher eigen mode imaging is a valuable method for characterising nanomechanical properties of materials, given the relatively easy sample preparation that is required.”
Further measurements of the stiffness of the material on the nanoscale showed that the areas where the polymers self-organised into ordered regions were harder, while the disordered regions of the material were softer. The experiments were performed in ambient conditions as opposed to an ultra-high vacuum, which had been a requirement in earlier studies.
“Organic polymers are normally studied for their applications in large area, centimetre scale, flexible electronics,” said Venkateshvaran. “Nanomechanics can augment these studies by developing an understanding of their mechanical properties at ultra-small scales with unprecedented resolutions.
“Together, the fundamental knowledge gained from both types of studies could inspire a new generation of soft microelectronic and bioelectronic devices. These futuristic devices will combine the benefits of centimetre scale flexibility, micrometre scale homogeneity, and nanometre scale electrically controlled mechanical motion of polymer chains with superior biocompatibility.”
The research was funded in part by the Royal Society.
We wish to thank the writer of this short article for this remarkable web content
‘Fruitcake’ structure observed in organic polymers
Screengrab via YouTube
Unlike distinctive genres — such as comedy and drama — whose movies include vibrant endings and happy-go-lucky directions for its characters, horror movies are much less lenient when it comes to providing a happy ending. Rather, many horror movies rely on a somber and downer ending to encapsulate the overall terror felt throughout the cinematic experience. In simpler terms, directors, writers, and producers within the horror genre have a better understanding of what will enrage an audience, or how to make an audience upset or cry because of a particular ending.
The truth is, horror movies are not supposed to have happy endings. The whole point of a horror movie is to experience sheer terror and understand that it cannot always be sunshine and rainbows for the characters involved. While some horror movies still rely on a happy ending, others prefer a sad and downer ending that evokes disturbance.
Drag Me to Hell (2009)
Sam Raimi is currently riding the wave of success from Doctor Strange 2but before the superhero blockbuster, Raimi highlighted his horror roots with Drag Me to Hell back in 2009. While the supernatural horror focuses on themes of voodoo, possession, and demonic abilities, there’s plenty of dark comedy hidden between the cracks. And while the comedic relief shines when it needs to, the movie features a bleak ending where main character Christine Brown realizes that the ominous curse placed upon her has failed to be reversed.
Sinister (2012)
Released back in 2012, Sinister remains one of the scariest movies in modern cinematic horror with one of the most unsettling endings. Throughout the film, Ethan Hawke’s novelist character Ellison Oswalt is haunted by the terrifying past of his house and a series of homemade videos that showcase children killing their families. In the film’s third act, Oswalt realizes that it is Bughuul — an ancient demonic presence — who is persuading the children into committing these horrible crimes, which includes Oswalt’s own daughter. In the end, Bughuul succeeds, and Ellison’s daughter Ashley murders the entire family.
Jeepers Creepers (2001)
Jeepers Creeperswhere’d you get that sad ending? The infamous horror movie follows Darry and Trish Jenner, a brother and sister duo who encounter the Creeper, an ancient demonic creature who feasts on humans for 23 days every 23 years. Amid the chaos, the film features one of the most disturbing endings, with Darry sacrificing himself for his sister and being carried off into the night sky with the Creeper, who uses his wings to escape with Darry. The movie ends with the audience learning that the Creeper has killed Darry and removed his eyes, resulting in the death of one of the best characters in horror.
Us (2019)
Jordan Peele has cemented his legacy as one of the best filmmakers in the modern horror genre. After the tremendous success of Get OutPeele’s follow-up film Us captured audiences with its surprise ending. The movie follows a group of doppelgangers that seek to take over the world and make a place for themselves. The conclusion to Us is perhaps one of the most unsettling moments in horror, where the believed main character Adelaide is revealed to actually be a doppelganger that killed the actual human version of herself.
Insidious (2010)
James Wan is one of the most prominent filmmakers in the horror genre, and Insidious remains at the top of the list in terms of his best movies. The film follows Dalton Lambert, a young boy who has the ability to astral project and winds up stuck in an otherworldly dimension called the Further. When the Lambert family enlist the help of paranormal psychic Elise Rainier, she helps Dalton’s father Josh rediscover his ability to astral project — which requires Josh to rescue Dalton from the Further. In the movie’s closing minutes, Josh — who is possessed by a dark spirit — returns from the Further and murders Elise, much to the shock of viewers everywhere.
Pet Sematary (1989)
The original Pet Sematary remains one of Stephen King’s best film adaptations, and features one of the darkest endings in cinematic horror history. The film revolves around the Creed family who, after they move into a house with a disturbing pet cemetery nearby, experience supernatural occurrences that cause more harm than good. When the Creeds’ youngest son Gabe gets hit by a truck and dies, his father Louis buries him in the “sematary” in hopes of bringing him back to life. Unfortunately, Louis also tries this method with his wife Rachel, but realizes that those that come back to life are zombie-like and dangerous.
Would You Rather (2012)
David Guy Levy’s psychological horror/thriller Would You Rather shocked viewers with its unexpected twist ending. The film stars Brittany Snow as Iris, a woman who unknowingly enters a parlor game in order to win the money and resources for her brother Raleigh’s cancer treatment. Iris eventually finds herself stuck in a warped game of “would you rather,” where the contestants must choose one of two options – though their choice could be deadly. In the end, Iris suffers unfathomable trauma and wins the game, only to return home to discover Raleigh has killed himself.
Hereditary (2018)
Ari Aster’s Hereditary terrified audiences back in 2018 with its bizarre, macabre, and heart-stopping scenarios. In the film, artist Annie Graham is grieving over the death of her estranged mother Ellen. As the movie progresses, Annie and the rest of the family discover the truth about Ellen’s involvement in a pagan coven that hopes to resurrect an ancient pagan deity – who seeks to inhabit Annie’s teenage son Peter. The entire movie features bleak moments that make our jaws drop – including the death of Annie’s daughter Charlie. However, the ending is the final nail in the downer coffin, where Peter dies and the demonic creature Paimon takes over his body.
The Strangers (2008)
The most terrifying part about The Strangers isn’t just that its plot could actually take place in real life — and it is loosely based on actual events — but that its ending is enough to raise the goosebumps on your arm. Throughout the film, a couple are stalked by a trio of merciless masked strangers that attempt to play vicious mind games. In the film’s closing moments, the trio finally invade the couple’s secluded cabin, in which they ask the “strangers” why they’re committing these crimes. One of the strangers simply responds by saying, “Because you were home.” It’s one of the most bone-chilling endings that kept viewers on the edge of their seats.
Rosemary’s Baby (1968)
Rosemary’s Baby is easily one of the most classic movies in cinematic horror, and with such a memorable ending, it’s certainly not difficult to understand why. Mia Farrow portrays Rosemary who, after she moves into a new apartment with her husband, becomes pregnant and fears that her neighbors have sinister intentions. In the movie’s spine-tingling final act, Rosemary discovers that she has given birth to the spawn of Satan, after having been drugged and assaulted at the request of her neighbors — who are revealed to be members of a Satanic cult.
We would love to give thanks to the author of this post for this incredible web content
Don’t hang your head out of the window, 10 horror movies with scary, sad, and downer endings
Screengrab via YouTube
Unlike distinctive genres — such as comedy and drama — whose movies include vibrant endings and happy-go-lucky directions for its characters, horror movies are much less lenient when it comes to providing a happy ending. Rather, many horror movies rely on a somber and downer ending to encapsulate the overall terror felt throughout the cinematic experience. In simpler terms, directors, writers, and producers within the horror genre have a better understanding of what will enrage an audience, or how to make an audience upset or cry because of a particular ending.
The truth is, horror movies are not supposed to have happy endings. The whole point of a horror movie is to experience sheer terror and understand that it cannot always be sunshine and rainbows for the characters involved. While some horror movies still rely on a happy ending, others prefer a sad and downer ending that evokes disturbance.
Drag Me to Hell (2009)
Sam Raimi is currently riding the wave of success from Doctor Strange 2but before the superhero blockbuster, Raimi highlighted his horror roots with Drag Me to Hell back in 2009. While the supernatural horror focuses on themes of voodoo, possession, and demonic abilities, there’s plenty of dark comedy hidden between the cracks. And while the comedic relief shines when it needs to, the movie features a bleak ending where main character Christine Brown realizes that the ominous curse placed upon her has failed to be reversed.
Sinister (2012)
Released back in 2012, Sinister remains one of the scariest movies in modern cinematic horror with one of the most unsettling endings. Throughout the film, Ethan Hawke’s novelist character Ellison Oswalt is haunted by the terrifying past of his house and a series of homemade videos that showcase children killing their families. In the film’s third act, Oswalt realizes that it is Bughuul — an ancient demonic presence — who is persuading the children into committing these horrible crimes, which includes Oswalt’s own daughter. In the end, Bughuul succeeds, and Ellison’s daughter Ashley murders the entire family.
Jeepers Creepers (2001)
Jeepers Creeperswhere’d you get that sad ending? The infamous horror movie follows Darry and Trish Jenner, a brother and sister duo who encounter the Creeper, an ancient demonic creature who feasts on humans for 23 days every 23 years. Amid the chaos, the film features one of the most disturbing endings, with Darry sacrificing himself for his sister and being carried off into the night sky with the Creeper, who uses his wings to escape with Darry. The movie ends with the audience learning that the Creeper has killed Darry and removed his eyes, resulting in the death of one of the best characters in horror.
Us (2019)
Jordan Peele has cemented his legacy as one of the best filmmakers in the modern horror genre. After the tremendous success of Get OutPeele’s follow-up film Us captured audiences with its surprise ending. The movie follows a group of doppelgangers that seek to take over the world and make a place for themselves. The conclusion to Us is perhaps one of the most unsettling moments in horror, where the believed main character Adelaide is revealed to actually be a doppelganger that killed the actual human version of herself.
Insidious (2010)
James Wan is one of the most prominent filmmakers in the horror genre, and Insidious remains at the top of the list in terms of his best movies. The film follows Dalton Lambert, a young boy who has the ability to astral project and winds up stuck in an otherworldly dimension called the Further. When the Lambert family enlist the help of paranormal psychic Elise Rainier, she helps Dalton’s father Josh rediscover his ability to astral project — which requires Josh to rescue Dalton from the Further. In the movie’s closing minutes, Josh — who is possessed by a dark spirit — returns from the Further and murders Elise, much to the shock of viewers everywhere.
Pet Sematary (1989)
The original Pet Sematary remains one of Stephen King’s best film adaptations, and features one of the darkest endings in cinematic horror history. The film revolves around the Creed family who, after they move into a house with a disturbing pet cemetery nearby, experience supernatural occurrences that cause more harm than good. When the Creeds’ youngest son Gabe gets hit by a truck and dies, his father Louis buries him in the “sematary” in hopes of bringing him back to life. Unfortunately, Louis also tries this method with his wife Rachel, but realizes that those that come back to life are zombie-like and dangerous.
Would You Rather (2012)
David Guy Levy’s psychological horror/thriller Would You Rather shocked viewers with its unexpected twist ending. The film stars Brittany Snow as Iris, a woman who unknowingly enters a parlor game in order to win the money and resources for her brother Raleigh’s cancer treatment. Iris eventually finds herself stuck in a warped game of “would you rather,” where the contestants must choose one of two options – though their choice could be deadly. In the end, Iris suffers unfathomable trauma and wins the game, only to return home to discover Raleigh has killed himself.
Hereditary (2018)
Ari Aster’s Hereditary terrified audiences back in 2018 with its bizarre, macabre, and heart-stopping scenarios. In the film, artist Annie Graham is grieving over the death of her estranged mother Ellen. As the movie progresses, Annie and the rest of the family discover the truth about Ellen’s involvement in a pagan coven that hopes to resurrect an ancient pagan deity – who seeks to inhabit Annie’s teenage son Peter. The entire movie features bleak moments that make our jaws drop – including the death of Annie’s daughter Charlie. However, the ending is the final nail in the downer coffin, where Peter dies and the demonic creature Paimon takes over his body.
The Strangers (2008)
The most terrifying part about The Strangers isn’t just that its plot could actually take place in real life — and it is loosely based on actual events — but that its ending is enough to raise the goosebumps on your arm. Throughout the film, a couple are stalked by a trio of merciless masked strangers that attempt to play vicious mind games. In the film’s closing moments, the trio finally invade the couple’s secluded cabin, in which they ask the “strangers” why they’re committing these crimes. One of the strangers simply responds by saying, “Because you were home.” It’s one of the most bone-chilling endings that kept viewers on the edge of their seats.
Rosemary’s Baby (1968)
Rosemary’s Baby is easily one of the most classic movies in cinematic horror, and with such a memorable ending, it’s certainly not difficult to understand why. Mia Farrow portrays Rosemary who, after she moves into a new apartment with her husband, becomes pregnant and fears that her neighbors have sinister intentions. In the movie’s spine-tingling final act, Rosemary discovers that she has given birth to the spawn of Satan, after having been drugged and assaulted at the request of her neighbors — who are revealed to be members of a Satanic cult.
We would love to give thanks to the author of this post for this incredible web content
Don’t hang your head out of the window, 10 horror movies with scary, sad, and downer endings
“Few things are cooler than traveling”, this is a popular statement and difficult to disagree with, let’s face it! Whether it’s a smooth trip next door or an adventure around the world, a trip stirs expectations, dreams and emotions! From planning to checkout, it’s amazing and memorable moments for anyone I see a new beginning of era!
My last trip was in December/January 2020 and after that came a pregnancy, a pandemic and a birth – and rebirth! As a good travel lover and her plans, she thought that precisely because of these factors she would not travel anytime soon, but then came the resumption, vaccination and a strong projection of improvement… and the icing on the cake? 40 years in sight! Soon, my favorite city in the world was back on the radar: New York!
And if few things are cooler than traveling, PLANNING is a joy on its own! Seeing landscapes, preparing itineraries, organizing restaurants, museums and hotels… oh, how I miss charming, cozy and pampering accommodation! And this trip of mine had a special company: Booking.com! As long as I understand myself as a digital traveler, I always turn to Booking.com to book my accommodations and this time it was a special experience! Did you know that your website and app now focus on sustainable travel?! After all, this “post” pandemic world may even be in transition, but the issue of sustainability is present – it’s urgent – in different sectors and with travel it would be no different!
HOW DOES THIS SUSTAINABILITY THEME WORK IN THE WORLD OF ACCOMMODATIONS?
Simple and practical! Do you know when you search for a destination on the Booking.com and activate filters like “budget”, “stars”, “property type”, “amenities” and many others? They now have a new filter called “Sustainable Travel Participating Accommodations”! And when you activate it, certified accommodations are selected that are part of this program created by Booking.com and that have taken significant steps to make your stay more sustainable!
And the changes are the most everyday, such as recycling waste, reused towels, low water consumption or even measures that impact the local community, its surroundings and, of course, nature! From micro to macro, from short to long term, these are urgent changes and initiatives that deserve to be endorsed.
SUSTAINABLE TRAVEL REPORT 2022
And this is an agenda that is more than “fashionable”, it is necessary and increasingly inserted not only in the routine of companies, but in the planning of travelers. In 2022, Booking.com published insights from a survey carried out with more than 30,000 travelers from 32 countries, and one of the main indications was precisely this: 9 out of 10 Brazilian tourists want to try harder next year to travel sustainably and It all starts with choosing accommodation and destination!
These tourists are choosing to put the planet first and turning to brands with sustainable flags to make travel with more purpose. Nice, huh? Without a doubt, these responsible trips become more creative and emotional!
There are currently more than 115,000 accommodations worldwide with the “Sustainable Travel” seal certified by Booking.com. In Brazil there are more than 7,500 and New York – that has lived a reinvention in all aspects – is the 3rd US city with the highest proportion of stays that have this seal.
STORING YOUR BAG IN A SUSTAINABLE WAY!
And the subject inspired me to seek to make a more sustainable, simple and practical suitcase, after all, traveling with children requires all that! Starting with a strategic suitcase and without the need for the famous “buy there”, everything organized correctly to work here and there. Many ecobags and cloth bags that divided and organized the looks more efficiently. All the packaging of beauty products and travel size pots and returnable so as not to create any more waste for the city that is not mine.
It’s small details that make all the difference and on @Fashionismo’s Instagram I made a video detailing all this content and, at the end of the trip, I can say with confidence: it was the best bag I’ve ever packed!
TRAVELING RESPONSIBLY IS NECESSARY!
I imagine that now, with the pandemic becoming less scary, vaccinations up to date and increasingly assertive safety protocols, the possibility of traveling is already seen with different eyes! And whether it’s a quick trip and with less costs or that liberating trip of dreams, the sustainability agenda will be more commonplace and included in our itineraries!
Upon entering the website or app of Booking.comactivate the “Sustainable Travel” seal and notice the accommodations and every detail that impacts this new way of staying!
We wish to thank the writer of this write-up for this incredible material
Sustainable travel with Booking.com – Fashionismo
“Few things are cooler than traveling”, this is a popular statement and difficult to disagree with, let’s face it! Whether it’s a smooth trip next door or an adventure around the world, a trip stirs expectations, dreams and emotions! From planning to checkout, it’s amazing and memorable moments for anyone I see a new beginning of era!
My last trip was in December/January 2020 and after that came a pregnancy, a pandemic and a birth – and rebirth! As a good travel lover and her plans, she thought that precisely because of these factors she would not travel anytime soon, but then came the resumption, vaccination and a strong projection of improvement… and the icing on the cake? 40 years in sight! Soon, my favorite city in the world was back on the radar: New York!
And if few things are cooler than traveling, PLANNING is a joy on its own! Seeing landscapes, preparing itineraries, organizing restaurants, museums and hotels… oh, how I miss charming, cozy and pampering accommodation! And this trip of mine had a special company: Booking.com! As long as I understand myself as a digital traveler, I always turn to Booking.com to book my accommodations and this time it was a special experience! Did you know that your website and app now focus on sustainable travel?! After all, this “post” pandemic world may even be in transition, but the issue of sustainability is present – it’s urgent – in different sectors and with travel it would be no different!
HOW DOES THIS SUSTAINABILITY THEME WORK IN THE WORLD OF ACCOMMODATIONS?
Simple and practical! Do you know when you search for a destination on the Booking.com and activate filters like “budget”, “stars”, “property type”, “amenities” and many others? They now have a new filter called “Sustainable Travel Participating Accommodations”! And when you activate it, certified accommodations are selected that are part of this program created by Booking.com and that have taken significant steps to make your stay more sustainable!
And the changes are the most everyday, such as recycling waste, reused towels, low water consumption or even measures that impact the local community, its surroundings and, of course, nature! From micro to macro, from short to long term, these are urgent changes and initiatives that deserve to be endorsed.
SUSTAINABLE TRAVEL REPORT 2022
And this is an agenda that is more than “fashionable”, it is necessary and increasingly inserted not only in the routine of companies, but in the planning of travelers. In 2022, Booking.com published insights from a survey carried out with more than 30,000 travelers from 32 countries, and one of the main indications was precisely this: 9 out of 10 Brazilian tourists want to try harder next year to travel sustainably and It all starts with choosing accommodation and destination!
These tourists are choosing to put the planet first and turning to brands with sustainable flags to make travel with more purpose. Nice, huh? Without a doubt, these responsible trips become more creative and emotional!
There are currently more than 115,000 accommodations worldwide with the “Sustainable Travel” seal certified by Booking.com. In Brazil there are more than 7,500 and New York – that has lived a reinvention in all aspects – is the 3rd US city with the highest proportion of stays that have this seal.
STORING YOUR BAG IN A SUSTAINABLE WAY!
And the subject inspired me to seek to make a more sustainable, simple and practical suitcase, after all, traveling with children requires all that! Starting with a strategic suitcase and without the need for the famous “buy there”, everything organized correctly to work here and there. Many ecobags and cloth bags that divided and organized the looks more efficiently. All the packaging of beauty products and travel size pots and returnable so as not to create any more waste for the city that is not mine.
It’s small details that make all the difference and on @Fashionismo’s Instagram I made a video detailing all this content and, at the end of the trip, I can say with confidence: it was the best bag I’ve ever packed!
TRAVELING RESPONSIBLY IS NECESSARY!
I imagine that now, with the pandemic becoming less scary, vaccinations up to date and increasingly assertive safety protocols, the possibility of traveling is already seen with different eyes! And whether it’s a quick trip and with less costs or that liberating trip of dreams, the sustainability agenda will be more commonplace and included in our itineraries!
Upon entering the website or app of Booking.comactivate the “Sustainable Travel” seal and notice the accommodations and every detail that impacts this new way of staying!
We wish to thank the writer of this write-up for this incredible material
Sustainable travel with Booking.com – Fashionismo
Amber Heard he does not have the money to pay the maxi-compensation he owes to Johnny Depp. This was revealed by the actress’s lawyer, Elaine Bredehoftinterviewed by NBC the day after the verdict of the trial. “We had a mountain of evidence that was suppressed”, the lawyer said, adding that “Amber does not have the money to pay the huge compensation to which the Fairfax jurors have sentenced her.” The sum that the actress will have to pay to her ex-spouse is 10.35 million dollars, while Johnny Depp will pay “only” 2 million.
Depp-Heard, Amber: “Johnny won because he’s more powerful, he’s a step backwards for women.” The actress will appeal
Johnny Depp and Amber Heard, the actress will appeal: she can not pay compensation
According to the lawyer, during the trial “things were admitted that shouldn’t have been and this confused the jury. While Johnny’s team managed to suppress a mountain of evidence “, including those that emerged in the trial against the 2020” Sun “in London. In that lawsuit he won the tabloid that had called Depp “one who beats women.” This time the jury ruled that the ex-spouses defamed each other, but Depp achieved a lot more.
“Amber has been demonized by Johnny’s lawyers and on social media,” said attorney Bredehoft, lamenting a defeat of the movement. #MeToo: for the first time since the scandal Weinsteinthe notion prevailed in court that it is for women who report a male, especially if famous and powerful, the burden of proving that they are telling the truth, not vice versa.
Now the lawyers are gloating by counting the millionaire fees that the two will have to pay, in addition to the damages established by the court: 10.35 for Amber, 2 million for Johnny. The future is uncertain for both of them, even if Depp, still the face of Dior Sauvage perfume, could return in a new Tim Burton “Beetlejuice”, one of the films that made fans love him.
For the legal experts the verdict was a surprise, but from the very first moves of the trial Johnny had already won in the court of public opinion with an astronomical volume of vitriolic interactions on social networks “which inevitably influenced the jury,” said Bredehoft. . So many things made the first trial of the TikTok era discuss, starting with the cameras in the courtroom. “I was against it,” said the lawyer. “They turned that classroom into a zoo.”
Last updated: Thursday 2 June 2022, 20:26
© REPRODUCTION RESERVED
We wish to give thanks to the author of this short article for this amazing content
Amber Heard can’t pay Johnny Depp the $ 10 million in compensation. The lawyer: “she was demonized”
Amber Heard he does not have the money to pay the maxi-compensation he owes to Johnny Depp. This was revealed by the actress’s lawyer, Elaine Bredehoftinterviewed by NBC the day after the verdict of the trial. “We had a mountain of evidence that was suppressed”, the lawyer said, adding that “Amber does not have the money to pay the huge compensation to which the Fairfax jurors have sentenced her.” The sum that the actress will have to pay to her ex-spouse is 10.35 million dollars, while Johnny Depp will pay “only” 2 million.
Depp-Heard, Amber: “Johnny won because he’s more powerful, he’s a step backwards for women.” The actress will appeal
Johnny Depp and Amber Heard, the actress will appeal: she can not pay compensation
According to the lawyer, during the trial “things were admitted that shouldn’t have been and this confused the jury. While Johnny’s team managed to suppress a mountain of evidence “, including those that emerged in the trial against the 2020” Sun “in London. In that lawsuit he won the tabloid that had called Depp “one who beats women.” This time the jury ruled that the ex-spouses defamed each other, but Depp achieved a lot more.
“Amber has been demonized by Johnny’s lawyers and on social media,” said attorney Bredehoft, lamenting a defeat of the movement. #MeToo: for the first time since the scandal Weinsteinthe notion prevailed in court that it is for women who report a male, especially if famous and powerful, the burden of proving that they are telling the truth, not vice versa.
Now the lawyers are gloating by counting the millionaire fees that the two will have to pay, in addition to the damages established by the court: 10.35 for Amber, 2 million for Johnny. The future is uncertain for both of them, even if Depp, still the face of Dior Sauvage perfume, could return in a new Tim Burton “Beetlejuice”, one of the films that made fans love him.
For the legal experts the verdict was a surprise, but from the very first moves of the trial Johnny had already won in the court of public opinion with an astronomical volume of vitriolic interactions on social networks “which inevitably influenced the jury,” said Bredehoft. . So many things made the first trial of the TikTok era discuss, starting with the cameras in the courtroom. “I was against it,” said the lawyer. “They turned that classroom into a zoo.”
Last updated: Thursday 2 June 2022, 20:26
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Amber Heard can’t pay Johnny Depp the $ 10 million in compensation. The lawyer: “she was demonized”
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Study finds fecal microbiota transplantation to be cost effective treatment for any recurrent Clostridiodes Difficile infection
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Study finds fecal microbiota transplantation to be cost effective treatment for any recurrent Clostridiodes Difficile infection
In our interview, the star of “Watcher” (and “The Guest” and “It Follows”) shows once again that she’s the modern-day scream queen we deserve.
From indie gems like “It Follows” and “The Guest” to the sci-fi chiller “Tau,” the pitch-black “Villains,” or the uproarious “Greta,” Maika Monroe has become our modern-day scream queen. However, her true obsession is working with exciting new filmmakers — who, more often than not, just so happen to make brilliant horror movies.
“It’s a conversation that I’ve had with my team, just to be on the lookout for up-and-coming filmmakers that are making interesting and different stuff,” Monroe said during a recent interview with IndieWire. “We all are trying to be up on the short films that come out of film festivals and the smaller movies. I try and pay attention to that as much as possible. It’s part of my job.”
Monroe was an instant fan of Chloe Okuno after seeing her 2014 short film, “Slut.” Years later, when Monroe received the script for the “Watcher,” she was thrilled to recognize the filmmaker’s name on the title page. The pair soon connected over Zoom, where they shared stories of feeling disconnected when they lived in foreign countries. What’s scarier than real life?
“She had lived in Russia out of school and I had moved to the Dominican Republic out of school,” Monroe said. [We talked about] having this real feeling of isolation and being alone in a country that we didn’t really speak the language. And then she told me her ideas for this film and wanting to have this real Hitchcockian vibe to it.”
A hit at Sundance back in January, Okuno’s feature debut follows an American actress (Monroe) who moves to Bucharest with her husband and is horrified to discover she’s being watched in her new home.
To prepare for “Watcher,” Monroe screened films like “Rosemary’s Baby” (another movie with “the apartment building is like another character” vibe) to “Lost in Translation” (nailed the ex-pat discomfort). As for the feeling of being watched by someone else, the sense of creepy unease that can come with being a woman in a world, and the fear of all that not being understood — on those points, Monroe needed no coaching.
“Watcher”
Sundance
“This story is very grounded and very realistic and yes, they’re heightened moments and thrills because it is a movie, but it’s a story that anyone, especially women, can relate to,” she said. “It’s absolutely something that I’ve experienced, the amount of times that I’ve put my car key in between my fingers, prepared because I can feel someone behind me, or walking down the street and someone whistles at you or looks you up and down. As a woman, you’re just raised to think that that is normal and I think honestly, with this shift in films and the #MeToo movement, it’s starting to change where it’s like, ‘No, this shouldn’t be normal.’”
Okuno’s film builds to — no spoilers — a banger of an ending that puts a pretty fine point on the concepts Okuno, co-writer Zack Ford, and Monroe build on for 91 nail-biting minutes. “When I was reading the script, I really didn’t know where it was going to go,” Monroe said. “But then I love the ending that’s, without spoiling it, very blunt.”
The final sequence required three days to shoot and sustaining that level of terror made Monroe feel as if she was “constantly on the verge of having a mental breakdown.” By the time they landed the final shot, Monroe said, she was “just so fucking ready. There was just this feeling of satisfaction of getting through that. I hope it plays, but definitely, there were a lot of feelings on that day.”
For Monroe, playing scared — hell, maybe even being scared — is another day at the office. Learning how to leave it at the office is a work in progress.
“I’ve definitely gotten better at it,” she said. “I’ve learned that for me, for my mental health, I have to be able to let go of it at the end of the day. A lot of the movies that I do are very dark and very intense, and it doesn’t do me any good to live in that space for longer than I needed to. For these movies, I want the characters to be grounded as possible, so to do that, [I have] to pull from my own traumas and my own experiences and that obviously is very overwhelming. But, for me, it is very important to be able to let go.”
“It Follows”
Practice makes perfect. She grew up “absolutely in love” with horror movies and pointed to the “Nightmare on Elm Street” franchise as a perpetual favorite. For Monroe, David Robert Mitchell’s “It Follows” was the same kind of game-changer, the sort of film that showed just how many facets horror can actually tackle with styles and scares to spare.
“I really got lucky with ‘It Follows,’” she said. “It sort of changed the game for the horror genre. I think back in the ’60s and ’70s and early ’80s, there was some really amazing, elevated horror in the genre, and then something got lost somewhere and it was about hot girls and sex and blood.”
Monroe said she’s still surprised by the enduring power of “It Follows,” which served as the first entry in what became this most recent run of the “elevated horror” genre, along with films like “The Babadook” and “The Witch.”
“Of course I had no idea what it was going to be,” she said. “I had seen David’s previous film, ‘The Myth of the American Sleepover,’ that was so beautiful and so dreamy, and I was like, ‘OK, maybe this style mixed with a horror film could be very interesting,’ but I had no idea the effect of it and that it [would be] such an important film to so many people, so many years later.”
Monroe self-taped her audition for Mitchell while in production on “The Guest,” not realizing that both films would arrive in 2014 (“The Guest” premiered at Sundance in January, and “It Follows” arrived at Cannes in May). That set her course as a scream queen for a new generation. Almost a decade on, rumors of sequels still abound.
“The Guest”
Picturehouse
When IndieWire spoke to “The Guest” director Adam Wingard last year, he teased the possibility of a “Guest” miniseries and alluded to the creation of an official “The Guest 2” soundtrack, which he later released this past April. So, would Monroe be game for an actual film sequel?
“One hundred percent!,” she said. “I just had such a blast shooting that film. I love Adam. I love [writer] Simon [Barrett]. Obviously, Dan [Stevens] is fucking genius in that movie.”
But not everything is scary for Monroe, nor does it have to be. Her upcoming slate shows off still more range: Currently in post are the “incredibly intense and very different vibe” of Nick Cassavetes’ “God Is a Bullet” (“I am covered head to toe in tattoos and I have a crazy bowl cut”) and the dark comedy “Significant Other,” which re-teams her with “Villains” directors Dan Berk and Robert Olsen opposite Jake Lacy (Monroe is a big “White Lotus” fan).
So what else does she want to do? Not missing a beat, Monroe laughs. “A lighthearted comedy!”
IFC Midnight releases “Watcher” in theaters on Friday, June 3.
Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
We would love to say thanks to the writer of this short article for this incredible content
Maika Monroe Needs No Coaching in How to Be Scared
In our interview, the star of “Watcher” (and “The Guest” and “It Follows”) shows once again that she’s the modern-day scream queen we deserve.
From indie gems like “It Follows” and “The Guest” to the sci-fi chiller “Tau,” the pitch-black “Villains,” or the uproarious “Greta,” Maika Monroe has become our modern-day scream queen. However, her true obsession is working with exciting new filmmakers — who, more often than not, just so happen to make brilliant horror movies.
“It’s a conversation that I’ve had with my team, just to be on the lookout for up-and-coming filmmakers that are making interesting and different stuff,” Monroe said during a recent interview with IndieWire. “We all are trying to be up on the short films that come out of film festivals and the smaller movies. I try and pay attention to that as much as possible. It’s part of my job.”
Monroe was an instant fan of Chloe Okuno after seeing her 2014 short film, “Slut.” Years later, when Monroe received the script for the “Watcher,” she was thrilled to recognize the filmmaker’s name on the title page. The pair soon connected over Zoom, where they shared stories of feeling disconnected when they lived in foreign countries. What’s scarier than real life?
“She had lived in Russia out of school and I had moved to the Dominican Republic out of school,” Monroe said. [We talked about] having this real feeling of isolation and being alone in a country that we didn’t really speak the language. And then she told me her ideas for this film and wanting to have this real Hitchcockian vibe to it.”
A hit at Sundance back in January, Okuno’s feature debut follows an American actress (Monroe) who moves to Bucharest with her husband and is horrified to discover she’s being watched in her new home.
To prepare for “Watcher,” Monroe screened films like “Rosemary’s Baby” (another movie with “the apartment building is like another character” vibe) to “Lost in Translation” (nailed the ex-pat discomfort). As for the feeling of being watched by someone else, the sense of creepy unease that can come with being a woman in a world, and the fear of all that not being understood — on those points, Monroe needed no coaching.
“Watcher”
Sundance
“This story is very grounded and very realistic and yes, they’re heightened moments and thrills because it is a movie, but it’s a story that anyone, especially women, can relate to,” she said. “It’s absolutely something that I’ve experienced, the amount of times that I’ve put my car key in between my fingers, prepared because I can feel someone behind me, or walking down the street and someone whistles at you or looks you up and down. As a woman, you’re just raised to think that that is normal and I think honestly, with this shift in films and the #MeToo movement, it’s starting to change where it’s like, ‘No, this shouldn’t be normal.’”
Okuno’s film builds to — no spoilers — a banger of an ending that puts a pretty fine point on the concepts Okuno, co-writer Zack Ford, and Monroe build on for 91 nail-biting minutes. “When I was reading the script, I really didn’t know where it was going to go,” Monroe said. “But then I love the ending that’s, without spoiling it, very blunt.”
The final sequence required three days to shoot and sustaining that level of terror made Monroe feel as if she was “constantly on the verge of having a mental breakdown.” By the time they landed the final shot, Monroe said, she was “just so fucking ready. There was just this feeling of satisfaction of getting through that. I hope it plays, but definitely, there were a lot of feelings on that day.”
For Monroe, playing scared — hell, maybe even being scared — is another day at the office. Learning how to leave it at the office is a work in progress.
“I’ve definitely gotten better at it,” she said. “I’ve learned that for me, for my mental health, I have to be able to let go of it at the end of the day. A lot of the movies that I do are very dark and very intense, and it doesn’t do me any good to live in that space for longer than I needed to. For these movies, I want the characters to be grounded as possible, so to do that, [I have] to pull from my own traumas and my own experiences and that obviously is very overwhelming. But, for me, it is very important to be able to let go.”
“It Follows”
Practice makes perfect. She grew up “absolutely in love” with horror movies and pointed to the “Nightmare on Elm Street” franchise as a perpetual favorite. For Monroe, David Robert Mitchell’s “It Follows” was the same kind of game-changer, the sort of film that showed just how many facets horror can actually tackle with styles and scares to spare.
“I really got lucky with ‘It Follows,’” she said. “It sort of changed the game for the horror genre. I think back in the ’60s and ’70s and early ’80s, there was some really amazing, elevated horror in the genre, and then something got lost somewhere and it was about hot girls and sex and blood.”
Monroe said she’s still surprised by the enduring power of “It Follows,” which served as the first entry in what became this most recent run of the “elevated horror” genre, along with films like “The Babadook” and “The Witch.”
“Of course I had no idea what it was going to be,” she said. “I had seen David’s previous film, ‘The Myth of the American Sleepover,’ that was so beautiful and so dreamy, and I was like, ‘OK, maybe this style mixed with a horror film could be very interesting,’ but I had no idea the effect of it and that it [would be] such an important film to so many people, so many years later.”
Monroe self-taped her audition for Mitchell while in production on “The Guest,” not realizing that both films would arrive in 2014 (“The Guest” premiered at Sundance in January, and “It Follows” arrived at Cannes in May). That set her course as a scream queen for a new generation. Almost a decade on, rumors of sequels still abound.
“The Guest”
Picturehouse
When IndieWire spoke to “The Guest” director Adam Wingard last year, he teased the possibility of a “Guest” miniseries and alluded to the creation of an official “The Guest 2” soundtrack, which he later released this past April. So, would Monroe be game for an actual film sequel?
“One hundred percent!,” she said. “I just had such a blast shooting that film. I love Adam. I love [writer] Simon [Barrett]. Obviously, Dan [Stevens] is fucking genius in that movie.”
But not everything is scary for Monroe, nor does it have to be. Her upcoming slate shows off still more range: Currently in post are the “incredibly intense and very different vibe” of Nick Cassavetes’ “God Is a Bullet” (“I am covered head to toe in tattoos and I have a crazy bowl cut”) and the dark comedy “Significant Other,” which re-teams her with “Villains” directors Dan Berk and Robert Olsen opposite Jake Lacy (Monroe is a big “White Lotus” fan).
So what else does she want to do? Not missing a beat, Monroe laughs. “A lighthearted comedy!”
IFC Midnight releases “Watcher” in theaters on Friday, June 3.
Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
We would love to say thanks to the writer of this short article for this incredible content
Maika Monroe Needs No Coaching in How to Be Scared
From visionary filmmakers James Cameron (Avatar) and Robert Rodriguez (Sin City), comes Alita: Battle Angelan epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past – she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she’s grown to love.
When Alita re-awakens to a brand-new life in Iron City, she goes through a series of intense transformations. She begins as a nearly blank slate, devoid of memories so that even the sour tang of an orange peel electrifies her taste receptors. With no clear identity, she wonders if she is just an “insignificant girl” who has no real purpose, no real family, even as she begins to forge fledgling bonds. Then, when she discovers the body that was intended to be hers— the so-called Berserker body that has faculties the likes of which Iron City has never seen, Alita has to contend with a whole different idea of her destiny. Ultimately, Alita realizes she is definitely not going to be an insignificant girl, and she refuses to be just a weapon of destruction. Instead, she turns herself into a passion-fueled instrument for justice.
A massive search ensued to find someone who could embody all this—a diminutive person with a mammoth persona, with both high-flying moves and the sheer force of a bright and openhearted spirit. There were no particular criteria as Alita could be any ethnicity. Iron City is not so much a nation as a last outpost of humanity, and Alita herself was born in a human colony on Mars. What mattered most was believability. After all, tiny Alita must stand up to 13-foot tall cyborg brutes, so the audience had to trust not only in her battle virtuosity but in her growing confidence and determination to both understand the vastness of her power and use it wisely.
After endless casting calls, the film’s Alita revealed herself in Rosa Salazar, the Canadian-born Cuban-American who has been seen in the Insurgent and Maze Runner series and in the thriller Bird Box. Here, she would have to carry an entire movie on her shoulders, but everyone intuited she would rise to the challenge.
Salazar says that she felt inspired by an under-the-skin kinship with Alita. “I related to this girl who struggles with not knowing her own power, with not having a voice in this crazy world where everyone’s trying to grab what’s theirs. I related to the dichotomy of rags and riches in Iron City, and to Alita’s journey of self-discovery. I related especially to her trying to figure out her desires and what matters to her. And I related to her fierceness. She’s the sum of everything she’s been through to survive.”
The sheer newness of Alita’s experience of the world was especially thrilling to Salazar—a chance to imagine every taste, touch, and sight as your first, to drink in the wonders of friendship, family and romantic love with no expectations. “Everyone else in Iron City has been hardened and numbed. But Alita is excited to try everything,” Salazar describes. “She views Iron City as an amusement park at first. The streets are so alive, and she’s just having fun trying new things.”
She also runs headlong into a first romance, when she meets the charismatic, street-smart Hugo, who teaches her Motorball, the rocket-fueled sport that mesmerizes all in Iron City and so much more. Audition after audition left the filmmakers unconvinced until total newcomer Keean Johnson came in and nailed the essence of the character.
“For the first time, she comes to know that rush of adrenaline but also the vulnerability of falling in love,” says Salazar. “Alita is fearless diving into things but then she also gets easily hurt because she has such a big heart.”
The Koalition interviewed Salazar and Johnson about their roles in Alita: Battle Angeldiscussing the numerous challenges they faced bringing the manga to life and more.
Check out our interview below.
We wish to say thanks to the author of this post for this outstanding material
An Interview with Alita: Battle Angel’s Rosa Salazar and Keean Johnson – The Koalition
From visionary filmmakers James Cameron (Avatar) and Robert Rodriguez (Sin City), comes Alita: Battle Angelan epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past – she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she’s grown to love.
When Alita re-awakens to a brand-new life in Iron City, she goes through a series of intense transformations. She begins as a nearly blank slate, devoid of memories so that even the sour tang of an orange peel electrifies her taste receptors. With no clear identity, she wonders if she is just an “insignificant girl” who has no real purpose, no real family, even as she begins to forge fledgling bonds. Then, when she discovers the body that was intended to be hers— the so-called Berserker body that has faculties the likes of which Iron City has never seen, Alita has to contend with a whole different idea of her destiny. Ultimately, Alita realizes she is definitely not going to be an insignificant girl, and she refuses to be just a weapon of destruction. Instead, she turns herself into a passion-fueled instrument for justice.
A massive search ensued to find someone who could embody all this—a diminutive person with a mammoth persona, with both high-flying moves and the sheer force of a bright and openhearted spirit. There were no particular criteria as Alita could be any ethnicity. Iron City is not so much a nation as a last outpost of humanity, and Alita herself was born in a human colony on Mars. What mattered most was believability. After all, tiny Alita must stand up to 13-foot tall cyborg brutes, so the audience had to trust not only in her battle virtuosity but in her growing confidence and determination to both understand the vastness of her power and use it wisely.
After endless casting calls, the film’s Alita revealed herself in Rosa Salazar, the Canadian-born Cuban-American who has been seen in the Insurgent and Maze Runner series and in the thriller Bird Box. Here, she would have to carry an entire movie on her shoulders, but everyone intuited she would rise to the challenge.
Salazar says that she felt inspired by an under-the-skin kinship with Alita. “I related to this girl who struggles with not knowing her own power, with not having a voice in this crazy world where everyone’s trying to grab what’s theirs. I related to the dichotomy of rags and riches in Iron City, and to Alita’s journey of self-discovery. I related especially to her trying to figure out her desires and what matters to her. And I related to her fierceness. She’s the sum of everything she’s been through to survive.”
The sheer newness of Alita’s experience of the world was especially thrilling to Salazar—a chance to imagine every taste, touch, and sight as your first, to drink in the wonders of friendship, family and romantic love with no expectations. “Everyone else in Iron City has been hardened and numbed. But Alita is excited to try everything,” Salazar describes. “She views Iron City as an amusement park at first. The streets are so alive, and she’s just having fun trying new things.”
She also runs headlong into a first romance, when she meets the charismatic, street-smart Hugo, who teaches her Motorball, the rocket-fueled sport that mesmerizes all in Iron City and so much more. Audition after audition left the filmmakers unconvinced until total newcomer Keean Johnson came in and nailed the essence of the character.
“For the first time, she comes to know that rush of adrenaline but also the vulnerability of falling in love,” says Salazar. “Alita is fearless diving into things but then she also gets easily hurt because she has such a big heart.”
The Koalition interviewed Salazar and Johnson about their roles in Alita: Battle Angeldiscussing the numerous challenges they faced bringing the manga to life and more.
Check out our interview below.
We wish to say thanks to the author of this post for this outstanding material
An Interview with Alita: Battle Angel’s Rosa Salazar and Keean Johnson – The Koalition
Naomie Harris is one of those sneaky wonderful actors who, for whatever reason, has done more great work than you realize. Her resume is full of interesting, profound, and game-changing credits. She can also do just about anything. You need light comic relief in an action film? Cast Naomie Harris as Moneypenny in the Daniel Craig Bond films. You need someone to outrun zombies while never letting you lose sight of the humanity in their character? You cast Naomie Harris in 28 Days Later. You need someone to play a tough vice cop for Michael Mann? You cast Naomie Harris in Miami Vice. Or how about a drug-addicted mother who breaks her son’s heart and yours too? You cast Naomie Harris in Moonlight (for which she received an Oscar nomination).
She’s one of the finest actors working now, and she proves it again in Showtime’s The Man Who Fell To Earth, a sort of sequel to the Nicolas Roeg/David Bowie film of the same name from 1976. Naomie plays Justin, a disgraced scientist whose discredited work may be the key to an alien’s (Chiwetel Ejiofor) efforts to save his planet. In our conversation, we talk about how she came to her first full series work, the powerful themes of the show’s story, and how they are as relevant as ever today.
Awards Daily: How did you come to the show?
Naomie Harris: What I do after I’ve been filming something quite intense is I always take breaks. I love going away and I had just finished Swan Song in Vancouver. And after that I had a choice of either going back home to London and being in lockdown, or I could head off to visit my friend in Costa Rica where things were much freer. So I was in Costa Rica having a great time, with no intentions to work whatsoever or coming back to London, when my team said “we found this amazing project for you, and we think you’re really going to love it.” And I was thinking, well, actually [laughs] I’m really loving being here with the sea and sand and sun. But when I read it I thought, no actually, this is really, really good. Then Alex (Kurtzman) and Jenny (Lumet) jumped on a Zoom call to try and persuade me, cause they said, you know, you’re our number one choice for the project. When I spoke to them Jenny actually said “there are lots of assholes in this industry, and when you find people who are good, you cling on to them.” And I just think that’s really beautiful and true, because that’s what I felt about Jenny and Alex. I thought: these are some really good people. Genuinely passionate, they have integrity, and they want to make something meaningful with a beautiful message behind it. And I thought: this is something I definitely want to be part of.
Awards Daily: Were you familiar with the film version?
Naomie Harris: I was not familiar at all with the film version. I’d never seen it, never ever heard about it. But obviously as a result of being part of it I watched it, and what I felt was it was pretty impenetrable and it completely went over my head on my first viewing. But what I was blown away by was David Bowie. I was just like, I cannot believe that this was his first ever film performance. Because it is absolutely faultless. It’s an extraordinary performance, so that’s what kept me hooked to it. But you know, The Man Who Fell to Earth TV show is very, very different to the movie. It’s set 45 years after the movie, and obviously my character doesn’t appear in the film. It’s a radical departure from the film.
Awards Daily: I think most people, including myself, assumed this was going to be a remake of the film. I thought that would be fascinating on its own – but the truth is that it’s actually a continuation. The series has this ingenious use of flashbacks, and the brilliant use of Bill Nighy as the character Bowie played in the film. When you realized that you were actually doing something that’s extending and expanding upon the story as opposed to remaking the original film in a series form, I’m sure that was pretty exciting.
Naomie Harris: It’s hugely exciting. I am never actually for remakes, especially when people love something so much – and people really love The Man Who Fell to Earth the movie. They geek out about it, they’re super passionate about it. So I always think it’s a real mistake. Why would you ever want to remake something that’s so magical? You always want to reinvent it and make it relevant for the times, and that’s what I found so exciting about this project. It’s really an exploration and a questioning of where we are now, and who we are now in this particular moment. That’s what makes it so compelling and so appealing to watch.
Awards Daily: The themes that carry forward about the environment are even stronger in the TV series, because of where we are in our time in history. That obviously gave you and the team a lot to work with.
Naomie Harris: Absolutely. And it gave me another wonderful reason to be part of the project. Because like most of us I am incredibly concerned about where we are in terms of what we’re doing to the environment. What I love about the series is it’s… what do they say… wrapping spinach in candy floss and feeding it to people. [Laughs.] Ultimately it’s entertainment, but with this really powerful message about “what the frig have we done to this planet?” And how much longer do we have on this planet if we continue to behave in the way that we are? And of course, here’s a vision of what’s possible if we don’t change our ideas and start treating our planet with more reverence and respect. And so, that was another reason I really wanted to be part of this show.
Awards Daily: There’s a surprising amount of humor in the series that stems naturally from Chiwetel’s character and your reactions to his alien-like behavior. Were you surprised by how much humor that came out of those situations?
Naomie Harris: Yeah! It’s funny, actually, because Alex is working in a very unusual way – and I’ve never seen this happen before but I think it’s absolutely brilliant – which is that he has an editor with him on set. So, when he’s shooting something in real time his editor is editing that scene. So he knows whether he’s missing something or he needs another angle or what have you. It’s genius. I guess the thing is most people don’t have it because they can’t afford it, because it’s hugely expensive to have an editor there. But I remember Alex saying one of the things he was noticing from the scenes is that there’s a hell of a lot more humor than even he anticipated. And I remember thinking: Really? Where?!
Awards Daily: [Laughs.]
Naomie Harris: It was when I was doing ADR for it that I was like, oh my gosh… this is really funny. Chiwetel’s character particularly is hilarious. So, so funny. But I absolutely love that we got so much humor in the show, because there’s so many other elements – it’s got these intense messages about isolation, about immigration, about climate change; it’s got intense themes in terms of Justin’s character and what she’s carrying, and of course the destruction of Faraday’s planet. And it’s really emotional at a lot of points. So I think to round it out it’s wonderful that we have great humor as well. Because I think humor makes everything even more impactful, I don’t think it undermines it. I think it makes us love the characters and connect with their journey even more.
Awards Daily: Did it seem like it would be a challenge to sell Justin as someone would go along with Faraday on his crazy journey? As an actor, you have to make us believe that you would go on an adventure with this person who is acting… well… so strangely.
Naomie Harris: As me Naomi and also as Justin, it doesn’t seem crazy. Because I am that person, just like Justin, who is a sucker for anybody in need. [Laughs.] Not that long ago on my broadway this woman told me she was in a hostel but was about to be thrown out – and if she could just stay one more night in that hostel, she had a job interview the next day and she’d then be able to take care of herself. So I gave her the money for the night, and she was like, yeah, but it would be really great if I could have another night. So I gave her some more money. And then she continued to follow me down the broadway saying, actually it would be really great if she could stay three nights. So I gave her money for three nights. Then she said “I really need some food.” So I went round the supermarket with her to buy all this food. And she didn’t have a cooker or anything and she was buying eggs and sausages and I’m thinking, where is she going to make these things! You know, I think a lot of us are like that. And that’s why con artists exist. Because ultimately, once we connect with our heart and feel we have a little bit of insight into somebody, it’s really hard to turn our back on them. And that’s what happens with Justin. She helps Faraday in his hour of need, when he’s being beaten up by these guys who just want his money, and her heart goes out to him – and she’s in. And she can’t get out! And I totally sympathize with that. So I don’t think it’s so strange that she does what she does. I think a lot of us would.
Awards Daily: Chiwetel’s character is the event of the show, but the story is in large part yours. Justin is the heart of this thing. Did you realize you were carrying that?
Naomie Harris: Did I realize… Well, I realized it was a tricky role. Because so much of what you’re doing is self-deluding. Not knowing the things that you do know, and having to always forget the things you know, and pretending to look at someone in a certain way when you know certain things about them that you shouldn’t know. It was really tricky to navigate, although it was a wonderful honor to play Justin. But it’s only been very recently that I’ve realized, yeah – I do agree she is an anchor. She’s the eyes and ears for the audience. Because Faraday is the alien, you don’t really connect completely with an alien. Although there’s part of us that’s always alien, so I think that’s why we do connect with his character. Ultimately though it’s human beings watching the show, and it’s through Justin’s eyes that we’re seeing.
Awards Daily: In the fourth episode, Faraday learns what human emotion is through the message from Newton, and he asks you how humans can bear these feelings. That was heartrending. That must have been a very intense emotional sequence.
Naomie Harris: I think the whole thing was intense and emotional. [Laughs.] Because I’m used to doing film, this was such a different experience for me. I’ve never done episodic TV – 10 whole episodes! And each one of them is like an entire film jammed into one episode, each of which has this incredible emotional arc. So when you’re filming you’re just constantly on an emotional roller coaster. I was going through some personal traumas, which are now resolved thank goodness, while filming and I was so grateful – because I was like, wow, I get to use all these tears that would have been wasted crying in my bedroom [Laughs]. I get to use them on screen! But yeah, every day was taxing and stretching – but that’s what you want as a performer, that’s why you sign up to these roles. I think there’s something masochistic about every actor, because we want to kind of torture ourselves. The more pain there is, we’re like, yes! That’s the role that I really connect to; that’s the one I want!
Awards Daily: I don’t want to give too much away for those who haven’t seen episode four, but there’s a huge revelation about what your character did to achieve fusion. We already had a great emotional investment in you based on your relationship with your father, and your daughter, but when we learn this back story, it just really changes the show. It adds a lot of weight to a show that was already quite weighty as it was.
Naomie Harris: It’s like when we get to know people, isn’t it? It’s that journey of getting to know somebody, when you think you know somebody and then they tell you this huge revelation. Then you get sucked in even further and invested in them even further, and I think that’s one of the tricks of this show, right? Like: ahh we’re a sci-fi show and we have some great humor and fabulous effects – but that’s just the beginning. It goes much deeper, and every episode gets deeper and deeper. It’s one of these shows that just gets better and better with each episode.
Awards Daily: There’s a beautiful moment where you are thinking of what you did to achieve fusion as this horrific thing, and Faraday brings in a very different perspective. He points out to you that you made the greatest scientific leap of your generation and only one life was lost. I think he says it would be something people on earth would call a miracle. That ability to show us different perspectives, or show us a different scale – that’s part of the real science in the science fiction of the show. It’s the omelet and the eggs perspective.
Naomie Harris: Even as you say that it makes me well up. I guess it’s this part of me that still connects to Justin. Because one life is still one life. And I think even just one life on any one human being’s conscience is too much for the soul to bear. The idea that you are responsible for someone’s death is a pain that seems just unfathomable – and I would never, ever like to have the experience of what that must feel like. If you ran someone over, or accidentally did something where someone’s life was lost, I just really don’t know how you’d live with that – and I think yeah, you’d end up doing what Justin does. Which is, she is torturing herself. She’s purposefully put herself in purgatory. She’s chosen the most awful job on the planet and she has stripped all joy, all fun, all passion from her life, and she’s just being of service to her family. It’s all about the health of her father and looking after her father.
Awards Daily: Faraday, in ways subtle and not so subtle, urges you not to waste your talent. Justin is a brilliant scientist. While it’s better than it used to be, women don’t get to play scientists as much as they should. Were you keenly aware of the factor: “I get to play a scientist and this is usually for gray-haired old men in movies and shows”?
Naomie Harris: I was, I was. And I was very excited about it. Maybe because I thought, you know, it’s going to be so great for some young girls out there who are watching the show and think “I never thought of being a scientist, but I can do that and I can do anything.” That’s the wonderful thing about the reach that film and TV have – they change people’s perceptions of the world, they change people’s perceptions of themselves and of what is possible. And I thought, how amazing to have that opportunity to do that for some young girls out there. So I was really excited about that challenge. And then also the reality is that I HATED science at school. I hated science and I was terrible at it. I was like: oh my gosh, how am I going to get my head around these concepts and deliver them in a way that makes sense and makes people believe that I’m a scientist! But thankfully we had a wonderful scientist called Melanie who helped me with all of the giant concepts and broke them down into layman terms – baby terms in fact – so that I could understand them.
Awards Daily: The show is a very complex organism with a lot of moving parts. There’s some impressive second and third-level thinking, let alone all of the easter eggs for Bowie fans. Shows this complex aren’t always so well received, but this has been. You must be enormously proud to be part of it.
Naomie Harris: It goes back to your question about perspective in a way: do we break eggs to make an omelet. Do the ends justify the means? So for me it’s not just about the end product – it’s about the process and the journey, and what was that journey like? And how kind were people along the way? How much fun did we have, and how much did we learn about ourselves? How much did we connect? And that’s what I would say I’m equally proud of about this special project. It was a very special journey with incredible souls attached to it; there was not a single bad egg on that entire set. Everybody was passionate and worked incredibly hard for incredibly long hours. When we started off we were told we would work 5 day weeks and 12 hour days; of course we worked 6 days a week with 14 hours days. And despite that everybody kept their spirits up and gave it absolutely everything. I’m just so proud that people’s blood, sweat and tears, and heart and soul, is being seen and recognized on that screen. That’s what excites me most.
We would love to thank the author of this post for this incredible web content
Naomie Harris on Anchoring the Audience in ‘The Man Who Fell To Earth’
Naomie Harris is one of those sneaky wonderful actors who, for whatever reason, has done more great work than you realize. Her resume is full of interesting, profound, and game-changing credits. She can also do just about anything. You need light comic relief in an action film? Cast Naomie Harris as Moneypenny in the Daniel Craig Bond films. You need someone to outrun zombies while never letting you lose sight of the humanity in their character? You cast Naomie Harris in 28 Days Later. You need someone to play a tough vice cop for Michael Mann? You cast Naomie Harris in Miami Vice. Or how about a drug-addicted mother who breaks her son’s heart and yours too? You cast Naomie Harris in Moonlight (for which she received an Oscar nomination).
She’s one of the finest actors working now, and she proves it again in Showtime’s The Man Who Fell To Earth, a sort of sequel to the Nicolas Roeg/David Bowie film of the same name from 1976. Naomie plays Justin, a disgraced scientist whose discredited work may be the key to an alien’s (Chiwetel Ejiofor) efforts to save his planet. In our conversation, we talk about how she came to her first full series work, the powerful themes of the show’s story, and how they are as relevant as ever today.
Awards Daily: How did you come to the show?
Naomie Harris: What I do after I’ve been filming something quite intense is I always take breaks. I love going away and I had just finished Swan Song in Vancouver. And after that I had a choice of either going back home to London and being in lockdown, or I could head off to visit my friend in Costa Rica where things were much freer. So I was in Costa Rica having a great time, with no intentions to work whatsoever or coming back to London, when my team said “we found this amazing project for you, and we think you’re really going to love it.” And I was thinking, well, actually [laughs] I’m really loving being here with the sea and sand and sun. But when I read it I thought, no actually, this is really, really good. Then Alex (Kurtzman) and Jenny (Lumet) jumped on a Zoom call to try and persuade me, cause they said, you know, you’re our number one choice for the project. When I spoke to them Jenny actually said “there are lots of assholes in this industry, and when you find people who are good, you cling on to them.” And I just think that’s really beautiful and true, because that’s what I felt about Jenny and Alex. I thought: these are some really good people. Genuinely passionate, they have integrity, and they want to make something meaningful with a beautiful message behind it. And I thought: this is something I definitely want to be part of.
Awards Daily: Were you familiar with the film version?
Naomie Harris: I was not familiar at all with the film version. I’d never seen it, never ever heard about it. But obviously as a result of being part of it I watched it, and what I felt was it was pretty impenetrable and it completely went over my head on my first viewing. But what I was blown away by was David Bowie. I was just like, I cannot believe that this was his first ever film performance. Because it is absolutely faultless. It’s an extraordinary performance, so that’s what kept me hooked to it. But you know, The Man Who Fell to Earth TV show is very, very different to the movie. It’s set 45 years after the movie, and obviously my character doesn’t appear in the film. It’s a radical departure from the film.
Awards Daily: I think most people, including myself, assumed this was going to be a remake of the film. I thought that would be fascinating on its own – but the truth is that it’s actually a continuation. The series has this ingenious use of flashbacks, and the brilliant use of Bill Nighy as the character Bowie played in the film. When you realized that you were actually doing something that’s extending and expanding upon the story as opposed to remaking the original film in a series form, I’m sure that was pretty exciting.
Naomie Harris: It’s hugely exciting. I am never actually for remakes, especially when people love something so much – and people really love The Man Who Fell to Earth the movie. They geek out about it, they’re super passionate about it. So I always think it’s a real mistake. Why would you ever want to remake something that’s so magical? You always want to reinvent it and make it relevant for the times, and that’s what I found so exciting about this project. It’s really an exploration and a questioning of where we are now, and who we are now in this particular moment. That’s what makes it so compelling and so appealing to watch.
Awards Daily: The themes that carry forward about the environment are even stronger in the TV series, because of where we are in our time in history. That obviously gave you and the team a lot to work with.
Naomie Harris: Absolutely. And it gave me another wonderful reason to be part of the project. Because like most of us I am incredibly concerned about where we are in terms of what we’re doing to the environment. What I love about the series is it’s… what do they say… wrapping spinach in candy floss and feeding it to people. [Laughs.] Ultimately it’s entertainment, but with this really powerful message about “what the frig have we done to this planet?” And how much longer do we have on this planet if we continue to behave in the way that we are? And of course, here’s a vision of what’s possible if we don’t change our ideas and start treating our planet with more reverence and respect. And so, that was another reason I really wanted to be part of this show.
Awards Daily: There’s a surprising amount of humor in the series that stems naturally from Chiwetel’s character and your reactions to his alien-like behavior. Were you surprised by how much humor that came out of those situations?
Naomie Harris: Yeah! It’s funny, actually, because Alex is working in a very unusual way – and I’ve never seen this happen before but I think it’s absolutely brilliant – which is that he has an editor with him on set. So, when he’s shooting something in real time his editor is editing that scene. So he knows whether he’s missing something or he needs another angle or what have you. It’s genius. I guess the thing is most people don’t have it because they can’t afford it, because it’s hugely expensive to have an editor there. But I remember Alex saying one of the things he was noticing from the scenes is that there’s a hell of a lot more humor than even he anticipated. And I remember thinking: Really? Where?!
Awards Daily: [Laughs.]
Naomie Harris: It was when I was doing ADR for it that I was like, oh my gosh… this is really funny. Chiwetel’s character particularly is hilarious. So, so funny. But I absolutely love that we got so much humor in the show, because there’s so many other elements – it’s got these intense messages about isolation, about immigration, about climate change; it’s got intense themes in terms of Justin’s character and what she’s carrying, and of course the destruction of Faraday’s planet. And it’s really emotional at a lot of points. So I think to round it out it’s wonderful that we have great humor as well. Because I think humor makes everything even more impactful, I don’t think it undermines it. I think it makes us love the characters and connect with their journey even more.
Awards Daily: Did it seem like it would be a challenge to sell Justin as someone would go along with Faraday on his crazy journey? As an actor, you have to make us believe that you would go on an adventure with this person who is acting… well… so strangely.
Naomie Harris: As me Naomi and also as Justin, it doesn’t seem crazy. Because I am that person, just like Justin, who is a sucker for anybody in need. [Laughs.] Not that long ago on my broadway this woman told me she was in a hostel but was about to be thrown out – and if she could just stay one more night in that hostel, she had a job interview the next day and she’d then be able to take care of herself. So I gave her the money for the night, and she was like, yeah, but it would be really great if I could have another night. So I gave her some more money. And then she continued to follow me down the broadway saying, actually it would be really great if she could stay three nights. So I gave her money for three nights. Then she said “I really need some food.” So I went round the supermarket with her to buy all this food. And she didn’t have a cooker or anything and she was buying eggs and sausages and I’m thinking, where is she going to make these things! You know, I think a lot of us are like that. And that’s why con artists exist. Because ultimately, once we connect with our heart and feel we have a little bit of insight into somebody, it’s really hard to turn our back on them. And that’s what happens with Justin. She helps Faraday in his hour of need, when he’s being beaten up by these guys who just want his money, and her heart goes out to him – and she’s in. And she can’t get out! And I totally sympathize with that. So I don’t think it’s so strange that she does what she does. I think a lot of us would.
Awards Daily: Chiwetel’s character is the event of the show, but the story is in large part yours. Justin is the heart of this thing. Did you realize you were carrying that?
Naomie Harris: Did I realize… Well, I realized it was a tricky role. Because so much of what you’re doing is self-deluding. Not knowing the things that you do know, and having to always forget the things you know, and pretending to look at someone in a certain way when you know certain things about them that you shouldn’t know. It was really tricky to navigate, although it was a wonderful honor to play Justin. But it’s only been very recently that I’ve realized, yeah – I do agree she is an anchor. She’s the eyes and ears for the audience. Because Faraday is the alien, you don’t really connect completely with an alien. Although there’s part of us that’s always alien, so I think that’s why we do connect with his character. Ultimately though it’s human beings watching the show, and it’s through Justin’s eyes that we’re seeing.
Awards Daily: In the fourth episode, Faraday learns what human emotion is through the message from Newton, and he asks you how humans can bear these feelings. That was heartrending. That must have been a very intense emotional sequence.
Naomie Harris: I think the whole thing was intense and emotional. [Laughs.] Because I’m used to doing film, this was such a different experience for me. I’ve never done episodic TV – 10 whole episodes! And each one of them is like an entire film jammed into one episode, each of which has this incredible emotional arc. So when you’re filming you’re just constantly on an emotional roller coaster. I was going through some personal traumas, which are now resolved thank goodness, while filming and I was so grateful – because I was like, wow, I get to use all these tears that would have been wasted crying in my bedroom [Laughs]. I get to use them on screen! But yeah, every day was taxing and stretching – but that’s what you want as a performer, that’s why you sign up to these roles. I think there’s something masochistic about every actor, because we want to kind of torture ourselves. The more pain there is, we’re like, yes! That’s the role that I really connect to; that’s the one I want!
Awards Daily: I don’t want to give too much away for those who haven’t seen episode four, but there’s a huge revelation about what your character did to achieve fusion. We already had a great emotional investment in you based on your relationship with your father, and your daughter, but when we learn this back story, it just really changes the show. It adds a lot of weight to a show that was already quite weighty as it was.
Naomie Harris: It’s like when we get to know people, isn’t it? It’s that journey of getting to know somebody, when you think you know somebody and then they tell you this huge revelation. Then you get sucked in even further and invested in them even further, and I think that’s one of the tricks of this show, right? Like: ahh we’re a sci-fi show and we have some great humor and fabulous effects – but that’s just the beginning. It goes much deeper, and every episode gets deeper and deeper. It’s one of these shows that just gets better and better with each episode.
Awards Daily: There’s a beautiful moment where you are thinking of what you did to achieve fusion as this horrific thing, and Faraday brings in a very different perspective. He points out to you that you made the greatest scientific leap of your generation and only one life was lost. I think he says it would be something people on earth would call a miracle. That ability to show us different perspectives, or show us a different scale – that’s part of the real science in the science fiction of the show. It’s the omelet and the eggs perspective.
Naomie Harris: Even as you say that it makes me well up. I guess it’s this part of me that still connects to Justin. Because one life is still one life. And I think even just one life on any one human being’s conscience is too much for the soul to bear. The idea that you are responsible for someone’s death is a pain that seems just unfathomable – and I would never, ever like to have the experience of what that must feel like. If you ran someone over, or accidentally did something where someone’s life was lost, I just really don’t know how you’d live with that – and I think yeah, you’d end up doing what Justin does. Which is, she is torturing herself. She’s purposefully put herself in purgatory. She’s chosen the most awful job on the planet and she has stripped all joy, all fun, all passion from her life, and she’s just being of service to her family. It’s all about the health of her father and looking after her father.
Awards Daily: Faraday, in ways subtle and not so subtle, urges you not to waste your talent. Justin is a brilliant scientist. While it’s better than it used to be, women don’t get to play scientists as much as they should. Were you keenly aware of the factor: “I get to play a scientist and this is usually for gray-haired old men in movies and shows”?
Naomie Harris: I was, I was. And I was very excited about it. Maybe because I thought, you know, it’s going to be so great for some young girls out there who are watching the show and think “I never thought of being a scientist, but I can do that and I can do anything.” That’s the wonderful thing about the reach that film and TV have – they change people’s perceptions of the world, they change people’s perceptions of themselves and of what is possible. And I thought, how amazing to have that opportunity to do that for some young girls out there. So I was really excited about that challenge. And then also the reality is that I HATED science at school. I hated science and I was terrible at it. I was like: oh my gosh, how am I going to get my head around these concepts and deliver them in a way that makes sense and makes people believe that I’m a scientist! But thankfully we had a wonderful scientist called Melanie who helped me with all of the giant concepts and broke them down into layman terms – baby terms in fact – so that I could understand them.
Awards Daily: The show is a very complex organism with a lot of moving parts. There’s some impressive second and third-level thinking, let alone all of the easter eggs for Bowie fans. Shows this complex aren’t always so well received, but this has been. You must be enormously proud to be part of it.
Naomie Harris: It goes back to your question about perspective in a way: do we break eggs to make an omelet. Do the ends justify the means? So for me it’s not just about the end product – it’s about the process and the journey, and what was that journey like? And how kind were people along the way? How much fun did we have, and how much did we learn about ourselves? How much did we connect? And that’s what I would say I’m equally proud of about this special project. It was a very special journey with incredible souls attached to it; there was not a single bad egg on that entire set. Everybody was passionate and worked incredibly hard for incredibly long hours. When we started off we were told we would work 5 day weeks and 12 hour days; of course we worked 6 days a week with 14 hours days. And despite that everybody kept their spirits up and gave it absolutely everything. I’m just so proud that people’s blood, sweat and tears, and heart and soul, is being seen and recognized on that screen. That’s what excites me most.
We would love to thank the author of this post for this incredible web content
Naomie Harris on Anchoring the Audience in ‘The Man Who Fell To Earth’
Thus the city of Kolkata is full of beauty. Rupankar Bagchi, who came live with the late artist and made some comments, passed away that night. Since then, the artist community in Kolkata has been divided into two parts. A group sneered at Rupankar for his comments. One of those on the list was tele actress Rupanjana Mitra.
KK Last Rites: Overflowing crowd at the funeral, KK’s mortal body vanished in the panchabhuta
After KK’s funeral in Mumbai, Rupanjana Mitra came live on Facebook and shared her feelings about KK. And this jealous mother-in-law of television could not hold back her tears while talking about cake. “I can’t believe Keke’s death,” she cried. He may have gone to God because he was a good man. He asked at the end of the ceremony when he was walking out that no one noticed the inconsistency in his walk. Twenty songs have to be sung because he has been paid. Cake is a different feeling to us. ”
Alvida KK: Amul called KK ‘Alvida’ on black and white canvas
Rupanjana brought up the topic of Rupankar in her live and said that she feels bad for her child. “Let us pass on our jealousy to the next generation,” he said.
Iman Chakraborty: ‘Rupankar should not be blamed for KK’s death’, says Iman
As soon as the news of KK’s demise came to light, Rupanjana sneered at Rupankar and wrote, “Shame on you Rupankar Bagchi, you can remove the narrowness of your mind. Introduced, first be a big-minded man, damn you! Keke has won our hearts with her singing. No one has given you the right to belittle her in this way. ”
We would like to give thanks to the author of this post for this awesome content
KK’s funeral in Mumbai, Rupanjana Mitra wept with breathless eyes live
Thus the city of Kolkata is full of beauty. Rupankar Bagchi, who came live with the late artist and made some comments, passed away that night. Since then, the artist community in Kolkata has been divided into two parts. A group sneered at Rupankar for his comments. One of those on the list was tele actress Rupanjana Mitra.
KK Last Rites: Overflowing crowd at the funeral, KK’s mortal body vanished in the panchabhuta
After KK’s funeral in Mumbai, Rupanjana Mitra came live on Facebook and shared her feelings about KK. And this jealous mother-in-law of television could not hold back her tears while talking about cake. “I can’t believe Keke’s death,” she cried. He may have gone to God because he was a good man. He asked at the end of the ceremony when he was walking out that no one noticed the inconsistency in his walk. Twenty songs have to be sung because he has been paid. Cake is a different feeling to us. ”
Alvida KK: Amul called KK ‘Alvida’ on black and white canvas
Rupanjana brought up the topic of Rupankar in her live and said that she feels bad for her child. “Let us pass on our jealousy to the next generation,” he said.
Iman Chakraborty: ‘Rupankar should not be blamed for KK’s death’, says Iman
As soon as the news of KK’s demise came to light, Rupanjana sneered at Rupankar and wrote, “Shame on you Rupankar Bagchi, you can remove the narrowness of your mind. Introduced, first be a big-minded man, damn you! Keke has won our hearts with her singing. No one has given you the right to belittle her in this way. ”
We would like to give thanks to the author of this post for this awesome content
KK’s funeral in Mumbai, Rupanjana Mitra wept with breathless eyes live
The Deva Jury text and meaning of the new single of the all-female quartet of Italian pop.
Laura Bono, Greta Manuzi, Roberta Pump e verdianathat is to say Le Deva, had been missing from the record market for some time. To be precise, from October 2020, the month in which they published the song Shine alone. In 2021 they were guests of Orietta Berti in the evening of the covers at Sanremo Festival climbing on the podium with the five-a-side interpretation of I love only you by Sergio Endrigo.
Now, waiting for news on the group’s second album, it’s time for new music.
Le Deva Giuragiuda meaning
This new single is presented as a feminist anthem that claims the strength of women who suffer deceit and betrayal and is out on digital platforms since 31 maggio.
that’s how verdiana Zangaro talks about this piece written by her together with Pasquale Chiavaro, Marco Rettani, Valerio Powder and produced by Danger…
When sleep breaks I write and through the songs the restlessness changes shape. Something profoundly yours becomes his, theirs, ours and that flow on which that common feeling is sewn begins to weigh less.
Giura Giuda is a fragment of that darkness that has become my ink, to tell that courage is true only in the darkest hours of the night, when men’s masks pile up on the bedside table. It is the story of the umpteenth mask, which has the same bitter aftertaste of those that made you cry in the party bathrooms at 20 but with a different ending, because what happens does not change the sounding board of our heart but modifies its reactions.
In short, the song of those who have done me good in evil.
JuraGiudaheralds a new path for The Deva with electro-pop sounds and a new bold and bold image.
Le deva Giuragiuda text and audio
Talk to me while I look at you
and I remind you of the knots you untied
what you have to do to my black hair
I remember us
it’s not like I said
you really take me there
come take the metro
let’s move on to something serious
improve my sky
I know you can
I know you can
I know you can
What do I do with this moon, moon, moon
you looked at me and there was no moon
I know you have consumed cougars, cougars and swears
sad you kissed me, Judas swears
And now that I don’t see it as luck
that you also took my eyes for this dark room
that you tried to pass your fear to me too
Judas swears to be you
You remind me of my twenties
a thousand promises, you carried yourself forward
if I trusted the bathrooms were crying
important vinyls we did the greats
vinyl in important things we did the great, we did the great
And look where you have placed my steps
behind wounds you don’t even look at
through our fault you who gave to others
but they look a little like me in their features
darling
What do I do with this moon, moon, moon
you looked at me and there was no moon
I know you consumed smoke, cougar, swear
if you kissed me, Judas swears
And now that I don’t see it as luck
that you also took my eyes for this dark room
that you tried to pass your fear to me too
Judas swears to be you
Hey tell me if you would bet everything on us
you laugh but you will change my days with yours
and tell me if you would bet everything on us
you laugh but you will change my days with yours
What do I do with this moon, moon, moon
you looked at me and there was no moon
I know you consumed smoke, cougar, swear
sad you kissed me, Judas swears
And now that I don’t see it as luck
that you also took my eyes for this dark room
that you tried to pass your fear to me too
to be you, swear by judgment
We want to say thanks to the writer of this write-up for this outstanding web content
New clothes, sound and not, for the return of Le Deva with “GiuraGiuda”
The Deva Jury text and meaning of the new single of the all-female quartet of Italian pop.
Laura Bono, Greta Manuzi, Roberta Pump e verdianathat is to say Le Deva, had been missing from the record market for some time. To be precise, from October 2020, the month in which they published the song Shine alone. In 2021 they were guests of Orietta Berti in the evening of the covers at Sanremo Festival climbing on the podium with the five-a-side interpretation of I love only you by Sergio Endrigo.
Now, waiting for news on the group’s second album, it’s time for new music.
Le Deva Giuragiuda meaning
This new single is presented as a feminist anthem that claims the strength of women who suffer deceit and betrayal and is out on digital platforms since 31 maggio.
that’s how verdiana Zangaro talks about this piece written by her together with Pasquale Chiavaro, Marco Rettani, Valerio Powder and produced by Danger…
When sleep breaks I write and through the songs the restlessness changes shape. Something profoundly yours becomes his, theirs, ours and that flow on which that common feeling is sewn begins to weigh less.
Giura Giuda is a fragment of that darkness that has become my ink, to tell that courage is true only in the darkest hours of the night, when men’s masks pile up on the bedside table. It is the story of the umpteenth mask, which has the same bitter aftertaste of those that made you cry in the party bathrooms at 20 but with a different ending, because what happens does not change the sounding board of our heart but modifies its reactions.
In short, the song of those who have done me good in evil.
JuraGiudaheralds a new path for The Deva with electro-pop sounds and a new bold and bold image.
Le deva Giuragiuda text and audio
Talk to me while I look at you
and I remind you of the knots you untied
what you have to do to my black hair
I remember us
it’s not like I said
you really take me there
come take the metro
let’s move on to something serious
improve my sky
I know you can
I know you can
I know you can
What do I do with this moon, moon, moon
you looked at me and there was no moon
I know you have consumed cougars, cougars and swears
sad you kissed me, Judas swears
And now that I don’t see it as luck
that you also took my eyes for this dark room
that you tried to pass your fear to me too
Judas swears to be you
You remind me of my twenties
a thousand promises, you carried yourself forward
if I trusted the bathrooms were crying
important vinyls we did the greats
vinyl in important things we did the great, we did the great
And look where you have placed my steps
behind wounds you don’t even look at
through our fault you who gave to others
but they look a little like me in their features
darling
What do I do with this moon, moon, moon
you looked at me and there was no moon
I know you consumed smoke, cougar, swear
if you kissed me, Judas swears
And now that I don’t see it as luck
that you also took my eyes for this dark room
that you tried to pass your fear to me too
Judas swears to be you
Hey tell me if you would bet everything on us
you laugh but you will change my days with yours
and tell me if you would bet everything on us
you laugh but you will change my days with yours
What do I do with this moon, moon, moon
you looked at me and there was no moon
I know you consumed smoke, cougar, swear
sad you kissed me, Judas swears
And now that I don’t see it as luck
that you also took my eyes for this dark room
that you tried to pass your fear to me too
to be you, swear by judgment
We want to say thanks to the writer of this write-up for this outstanding web content
New clothes, sound and not, for the return of Le Deva with “GiuraGiuda”